![]() You’ll see a list of similar fonts loading right before your eyes. Starting either from a photo or your camera, Capture lets you highlight a specific area of interest, then connects with Typekit to help identify the font. What’s more, Capture can also help you identify fonts. Capture allows you to gather colors, textures, patterns, and even create custom brushes based on photos you take with your phone. Finding fonts “in the wild”Īdobe Capture is a great mobile app that allows you to gather assets from the real world and add them to your virtual toolbox. Recently I started taking photos of fonts that I find interesting, then using tools like Adobe Capture, Photoshop, and the Typekit website to help me identify them. I find myself taking photos of posters, building ornaments, and natural textures to help inspire future design ideas. With a variety of Creative Cloud apps and services, finding the right font is now fun and inspiring.Īs a designer, you probably take photos of things that inspire your creativity. ![]() Identifying, pairing, and unlocking special features of a font can be a time-consuming endeavor. Two Korean foundries have expanded their offerings on Adobe Fonts.Detect fonts using Adobe Capture CC (mobile app).įinding the right font for a project can seem overwhelming at times. Effortlessly tackle even the most demanding editorial projects with these versatile type systems. Carter designed many custom type families, now available to the public, for venerable newspapers and magazines: Stilson for The Washington Post, Rocky for the Rocky Mountain News, and Roster for Sports Illustrated. ![]() Miller comes in a wide range of optical sizes - Miller Text, Headline, Display, and Banner - resulting in an all-in-one superfamily for publications. Big Caslon FB and Big Moore are contemporary interpretations of foundational typefaces from the eighteenth century. For Sophia and Mantinia, Carter found inspiration in majestic stone-carved letters from ancient Greece and Rome. Discover the typographic richness of Georgia Pro and Verdana Pro, which go far beyond the system fonts you may be used to. There is so much more to Verdana and Georgia than the familiar basic system fonts.Ĭarter & Cone offers typefaces by legendary type designer Matthew Carter. Tarif and Tarif Arabic are drawn according to the same principles but are more subdued, making them a daring option for text. ![]() True to its Italian roots, Blackest is a striking serif face with reversed contrast: the horizontal parts are thicker than the verticals. Use the Extrabold and Fat weights to create provocative stencils for signs and posters. The bouncy interlocking characters of DoubleBass recall the jazzy posters, title sequences, and album covers of the fifties.Īnaphora Stencil’s cut-up letterforms are visually arresting. Written with a textured brush, Adlery Pro is purposeful and energetic. The narrow sans A Day Without Sun and the connected script Bimbo Pro were handwritten with a fine marker, giving them a casual appearance. A Day Without Sun, Bimbo Pro, and Anaphora Stencil support Greek too.įounded in 2001 by Francesco Canovaro, Debora Manetti, and Cosimo Lorenzo Pancini, Zetafonts is an independent type foundry based in Florence, Italy. All of the offerings in Zetafonts’ first batch on Adobe Fonts support Latin and Cyrillic.
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